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When you need to encode a few videos in a row, it is good to make sure that the encoder doesnt go over all of your processing power and slow down the encoding process. Trying to encode a long video and set the audio parameters while still being able to work on other things can be very uncomfortable especially when working with lower end computing systems, so here is how you can queue your video files in Media Encoder without having to close the panel every time you want to encode another file.
These days, we just pass the media or the sequence through Adobe Media Encoder Patched and use this great setting in one of our presets. In the presets settings, theres an Effects tab. In previous versions, all that was here was a gaussian blur, which lets face it was mostly useless. In a recent version, Adobe added several new effects that Adobe Media Encoder can apply during compression, and one of them is a timecode overlay.
With Adobe Media Encoder (AME) for Premiere Pro you can:
- Import and export clips from Premiere Pro and After Effects
- Convert media for the following use cases
- Rendering (Export videos for clients)
- Podcasts (Export to MP3)
- Mobile Devices (Export for iPhone)
- iPad Media Player (Export to MP4)
- Google Android Market (Export to M3U8)
- Mac OS X 10.5 or higher.
- ATI PowerVR or Intel GMA 2D graphics chipset.
- Flash Player version 9 or higher.
- Synchronization with FTP
- FTP server configured from preferences. Instead of creating a new FTP server, you can edit it from preferences.
- Selection of either upload or download of clips.
- Compressor settings for files
- Separate AES settings for clips
- List files generated
- Import an XMP or IFD database
- Synchronize metadata for clips with XMP/IFD database
- Mute the clip after importing
- Add a watermark to the clip
- Playback setting
AME also helps you convert media files for your mobile phone, TV, and for use with various online platforms, such as the Apple iPhone, iTouch and the Google Android Market. AME also features adjustable settings and customizable presets for improved file conversion and faster processing, so you can quickly create high quality files in a few easy steps.
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According to www.adobe.com/uk, Adobe Media Encoder is a powerful, easy-to-use video editing solution. And their claim to fame is that they have great support for codecs, which is why one of the things I need to investigate if my problem persists.
To do this, you’ll need to understand how the encoder works and what key parameters need to be set. The settings you can modify are codec settings, video resolution, frame rate and codec settings, audio settings, audio track settings, video window settings, codec settings, custom color, the encoder rate and encoder hardware acceleration.
Now that you’ve got everything ready for the new AME, let’s start modding the encoder settings to get everything working great. Maybe you’ll spend all day tweaking the encoding, or maybe you’ll just get some value out of it. If you’re doing this for the first time, don’t worry too much about the specific values – just get to know the tool and trust that you can come up with a solution. You can always change these parameters back after encoding.
Notice that the video settings are set at 1920 x 1080 and 30 frames per second. Now go to the main Media tab. Under the Media type drop down list, select Media File. Now select Composite before you begin. This is the version of comping that will be using AME. Select a good codec for the output, and then click OK to create a composite.
Finally, once youve converted all your videos for the final edit, its time to compile your movie or documentary. Until Adobe release Media Encoder with a drag and drop timeline for this final step, its up to you to do it manually. In this edit, Toby shows how to manually compile a movie with the following procedure. Maybe, this will come natively in a future version of Media Encoder!
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Really, this had everything I would ever need in a video editing program. If you know what software you need to use for converting your video, the only additional thing youll be using it for is outputting it. However, aside from the numerous media editing tools, this program was just as easy to use as the rest of the software that I used to create videos.
Support for high quality, high resolution, media content from camera and file source. You can crop, rotate, trim and fix exposure flaws automatically using the new feature in Adobe Media Encoder, the Automatic Exposure Correction Plug-In.
When working with video editing applications, you will most likely need to have a front and back panel and a preview window. We do not support this feature with Adobe Media Encoder due to the nature of our product. Therefore we recommend that you have a secondary display such as a TV where you can display the preview window instead of using the primary display. You will notice that by default we give you the best possible setup for your computer, but you may choose not to use this panel with a secondary display. If you do not see the panel we need you to provide more information by clicking the help button in the bottom right of the panel.
If you have custom presets, you can change them by clicking on one of the preset buttons and then clicking on the blue Edit button. Each preset lets you modify just that setting, so you might be able to change the output bit rate or preset name for example. You can also customize Adobe Media Encoder’s default parameters by clicking on the blue Edit button, then clicking on the Edit parameters button. This opens up a dialogue box which lets you change the file type, video width or video height. You can add a new parameter by clicking on the New Parameter button.