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The synthesizer has also been improved by having a variable band pass filter. Because the high frequency and low frequency filters are now independent, it is possible to interactively select the best frequency range for each. This allows for far more precise control, as individual frequencies can be selected and used or rejected as the sound needs it. It is also possible to use the Resonant Filter to make the sound more musical, or in other words, to alter the pitch that VocalSynth 2 is playing. Every frequency within the program has a slope, and iZotope provides a range of flexible slopes to allow the Resonant Filter to influence the pitch, rather than altering the low frequency range only.
VocalSynth 2 can take input from multiple sources, allowing up to four vocalists to take part in songwriting. There is also an Assign button for each audio track, allowing these to be used for adjustment of the input, and multiple instrument chains for each vocal track.
VocalSynth 2 can also process audio through the internal synthesizer. In this mode, the PolyVox engine is disabled and a bigger vocal is used. For example, you can take the sound of a guitar, tweak the filters, and vocalise it. You can then have any number of tracks and each can have their own instrument chain.
VocalSynth 2 still has that cool workflow you love about it’s predecessor – set up quick and start using it straight away. One of its most important changes has been in the newly integrated Stryker compressor which offers just what you’d expect from the name – a bit of boosting for your vocal input.
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The VocalSynth 2Talkbox is designed to intelligently separate the vocal from the other instruments, allowing you to focus on performance and recording. In addition to being able to automatically detect the different ranges for different voice types, it can alter its filtering frequencies and resonance depending on the vocal style. In the setup in the menu, you can set the parameter to either a “Genuine Waveform” or a “Seated Waveform” type. A “Genuine” Talkbox is going to more accurately capture a person reading verses in a verse and choruses in a chorus. Seated Waveforms are going to attempt to separate based on what is “talked” and what is “sung,” allowing you to see if there is any gain in leaving them blended or if youre better off separating them. Try one or the other, and set the parameter to the type you find the most useful.
AUTO-POPPING / RESOLUTION. VocalSynth 2 uses the same principles as other professional plug-ins to offer auto-populating tracks and a preset resource tree, and allows you to save your own customisable resolutions. Resolutions are the number of samples used to render an audio track and is calculated by the application based on playback speed and bit-rate of the sample files. Typically, resolutions are measured in thousands of samples, with the VocalSynth 2 software taking its defaults from the audio files and from your settings in the VocalSynth 2 User Interface Preferences.
PROFESSIONAL EDITION. The Standard Edition of VocalSynth 2 is a student edition (for computer science graduates and students), and is available for http://www.izotope.com/products/vocalsynth2/ . In addition to the features outlined above, users of the Professional Edition are able to:
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3. No Warranty. iZotope warrants that, for a period of thirty (30) days from the date the Software is made available to you for download, the Software will substantially conform to the applicable user documentation provided with the Software. Any implied warranties which may exist despite the disclaimer herein will be limited to thirty (30) days (Warranty Period). This limited warranty is void if you buy from an unauthorized reseller, you violate the terms of this Agreement, or if the failure of the Software is due to accident, abuse or misapplication.
3.3. Warranty Period. The warranty period is subject to the following: i) if you purchase directly from iZotope (an “Authorized Reseller”), you may use the Software within the Warranty Period as specified by iZotope in the documentation provided with the Software (“Warranty Period”) or until iZotope, in its sole discretion, decides to terminate the Software’s License or remove the title from your iDevices, whichever is first; and ii) if you purchase the Software from a reseller other than an Authorized Reseller, you may use the Software within the period described in the Agreement. iZotope’s Warranty Period is limited to thirty (30) days (Warranty Period). If you use any one of the Software for a period beyond the Warranty Period, iZotope, Inc.’s sole obligation to you under this Agreement and under any warranty, if any, provided to you by iZotope, is to refund to you, at iZotope’s sole discretion, the purchase price of the Software. iZotope is under no obligation to provide any refund to you if you use the Software beyond the Warranty Period. iZotope is under no obligation to provide any refund, compensation or other remedy if the Software does not perform in a manner as described in the applicable user documentation provided with the Software.
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iZotope VocalSynth System Requirements
- OS – Windows XP/Vista/7
- CPU – 1GHz
- RAM – 256MB
iZotope VocalSynth Features

- Manual VST plugin
- Over 100 presets (99 — VST2, 44 — VST3, 3 — AU)
- Both HUI and VST implementation
- Real time multithreaded processing
- Arpeggiator
- 24-bit floating point
- 4-band EQ
- Layers
- Gate and step
- Reverb
- Delay
- Modulator
- Chord
- Shred
- Analog Delay
- LFO
- Ring Mod
- Easy/advanced GUI
- Ableton compatibility
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